Friday, November 16, 2018

Movies Update: ‘Widows,’ ‘Green Book’ and More

Plus, Stan Lee's best cameos.
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Friday, November 16, 2018

Kyle Buchanan

Kyle Buchanan

Pop Culture Reporter
Hey, movie fans! It's your faithful Carpetbagger.
Of this week's new releases, I'm most partial to "Widows," the new heist film from the "12 Years a Slave" director Steve McQueen, which is crackling with intelligence and packed with genre thrills. Still, there is a lot out there to choose from: You've got two crowd-pleasers with the Oscar-tipped "Green Book," starring Mahershala Ali and Viggo Mortensen, as well as the Mark Wahlberg comedy "Instant Family." Harry Potter fans may brave "Fantastic Beasts: The Crimes of Grindelwald," while the art-house crowd can check out Willem Dafoe as Vincent van Gogh in "At Eternity's Gate."
This week would normally be one of the busiest in Hollywood, as many stars are in town for AFI Fest and this Sunday brings the Governors Awards, a ceremony that allows this year's most trumpeted contenders to get some schmooze time in with a ballroom full of Academy voters. But with wildfires continuing to rage in California, and many in Hollywood affected, the mood is muted. The red carpets were scuttled for many AFI Fest premieres, though the after-parties, by and large, went on as scheduled.
The most prominent cancellation came when Universal thought better of a splashy Griffith Park Observatory fete for "First Man," which was supposed to happen last night. The event would have given Damien Chazelle's space drama a welcome lift after several slow weeks at the box office, but with smoke still hanging in the air, it would have been hard to look down at the embattled Southern California landscape from that rarefied perch on the hill. The party was canceled, though I'm sure I'll see the film's stars at the Governors Awards, regardless.
Viola Davis and Cynthia Erivo in
Merrick Morton/20th Century Fox
By A.O. SCOTT
The Oscar-winning director Steve McQueen has delivered a sullen, slow thriller driven by grief and dread, A.O. Scott writes.
Viggo Mortensen and Mahershala Ali in
Universal Studios
By A.O. SCOTT
A real-life story starring Mahershala Ali and Viggo Mortensen becomes a feel-good fable buoyed by its lead performances.
Movie Reviews
Willem Dafoe plays Vincent van Gogh in Julian Schnabel's movie, which is attentive to the hardships of the artist — and to art itself.
'At Eternity's Gate': An Exquisite Portrayal of van Gogh at Work
By MANOHLA DARGIS

A magnificent Willem Dafoe stars in Julian Schnabel's film, a work that Manohla Dargis calls "an argument for art."

From left, Mark Wahlberg, Rose Byrne, Isabela Moner, Julianna Gamiz and Gustavo Quiroz in
'Instant Family': The Adoption Option, Hollywood Style
By GLENN KENNY

"Instant Family" is a Sean Anders comedy with good intentions that's not entirely hellish, but is reliably anodyne.

In the documentary
'Under the Wire': Portrait of a War Reporter
By JEANNETTE CATSOULIS

The emotional testimony of the war photographer Paul Conroy dominates this heated and harrowing account of Marie Colvin's last weeks.

Ansel Elgort in
'Jonathan': Ansel Elgort as Two Brothers Sharing One Body
By BEN KENIGSBERG

This often clever sci-fi feature puts new permutations on the concept of burning the candle at both ends.

Imogen Poots in
'Mobile Homes': Imogen Poots Gives a Riveting Performance
By BILGE EBIRI

In this film about a troubled, unwed mother, director Vladimir de Fontenay struggles to match the expressive power of his lead actress.

ADVERTISEMENT
Anatomy of a Scene
Watch Viola Davis Lead a Heist in 'Widows'
By MEKADO MURPHY

The director Steve McQueen narrates a sequence from his thriller, which also stars Cynthia Erivo, Michelle Rodriguez and Elizabeth Debicki.

News & Features
Is the world ready for Albus Dumbledore, gay icon?
Jude Law Comes Out as the Young Dumbledore
By KATHRYN SHATTUCK

The actor on the gay icon in "Fantastic Beasts: The Crimes of Grindelwald," his unreleased Woody Allen film and the mixed blessing of looking like Jude Law.

Critic's Notebook
Aretha Franklin recorded her live album
Aretha Franklin Didn't Want You to See This Movie. But You Must.
By WESLEY MORRIS

"Amazing Grace" captures the two nights the Queen of Soul recorded her stunning 1972 live album. Watching her process feels like an act of worship.

From left, Saul Rubinek, Tyne Daly and Chelcie Ross in
Netflix Put a Movie in Theaters. Good Luck Finding It.
By BEN KENIGSBERG

The service showed the Coens' "Ballad of Buster Scruggs" on the big screen before streaming it. But the run — four days in three American theaters — frustrated film fans.

Clockwise from top left, Stan Lee in scenes from
Stan Lee's 11 Best Cameos and Where to Stream Them
By LARA ZARUM

The comics legend had dozens of winking cameos across the Marvel Cinematic Universe, as well as in indie films and on TV, both live-action and animated.

Viola Davis and Steve McQueen in Chicago.
Steve McQueen and Viola Davis on Hollywood, Race and Power
By REGGIE UGWU

The director and star of "Widows" discuss authenticity in art and why Hollywood needs its own civil rights movement.

Disney Is Spending More on Theme Parks Than It Did on Pixar, Marvel and Lucasfilm Combined
By BROOKS BARNES

The company is spending billions to supercharge its theme park division, which has emerged as a surprisingly strong moneymaker.

Critics' Picks
The filmmaker Claude Lanzmann with Hanna Marton in the documentary
'Shoah: Four Sisters'
By BEN KENIGSBERG

Claude Lanzmann's documentary shares the stories of four women through installments that can be watched independently or together.

Tim Blake Nelson is the titular character in
'The Ballad of Buster Scruggs'
By A.O. SCOTT

A.O. Scott says this cowboy anthology is among the silliest Coen brothers films, and also one of the grimmest.

Peter Bogdanovich, left, and John Huston in
'The Other Side of the Wind'
By MANOHLA DARGIS

Welles's last project is something of a seductive tease, a film that at times entrances and delights and at times offends and embarrasses.

Rosamund Pike as the war correspondent Marie Colvin in
'A Private War'
By JEANNETTE CATSOULIS

Rosamund Pike's powerhouse lead performance anchors Matthew Heineman's raw, moving portrait of the war correspondent.

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