Friday, December 14, 2018

Movies Update: ‘The Mule,’ ‘If Beale Street Could Talk’ and More

Plus, how to turn London into a giant R.V.
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Friday, December 14, 2018

Kyle Buchanan

Kyle Buchanan

Pop Culture Reporter
Hey, movie fans! It's your faithful Carpetbagger.
We're almost to the very end of the year now, so if there's critically acclaimed awards contender you've been dying to see, the last of them are finally making their way into theaters — or, in the case of "Roma," now debuting on Netflix after an exclusive theatrical window. Do make time for the lovely "If Beale Street Could Talk," the new film from the "Moonlight" director Barry Jenkins, and "Spider-Man: Into the Spider-Verse," which is so creatively designed that it may give "Incredibles 2" a run for the animated-film Oscar.
Clint Eastwood is back in front of the camera for "The Mule," which isn't going to factor into the Oscar race at all but may still lure fans of the 88-year-old actor-auteur. Bigger-budget offerings this weekend include the world-building "Mortal Engines" and "Once Upon a Deadpool," Fox's novel attempt to repackage "Deadpool 2" as a PG-13 film with a new framing device that spoofs "The Princess Bride."
So there's a lot to see! And between our critics' year-end top-ten lists and the glut of awards bodies weighing in with their nominations over the past week, there's no shortage of people who will tell you which films to prioritize. Make some time this weekend and catch up.
Movie Reviews
From left, Stephan James, KiKi Layne and Brian Tyree Henry in Barry Jenkins's
Tatum Mangus/Annapurna Pictures
Critic's Pick
By MANOHLA DARGIS
The couple in this adaptation of James Baldwin's novel are loving while black, an existential truth that is turned into a nightmare.
The many faces of
Sony Pictures Releasing
Critic's Pick
By A.O. SCOTT
This lively, diverse comic-book movie brings some fun to a genre that often takes itself too seriously.
Clint Eastwood plays a solitary man who becomes a mule for the Sinaloa drug cartel in this film, which he directed.
'The Mule': Clint Eastwood's Very Strange Drug Trip
By MANOHLA DARGIS

In his latest exploration of modern masculinity, the veteran filmmaker plays an unlikely courier for a cartel who finds redemption. It's a rough ride.

Hugo Weaving in
'Mortal Engines': London Becomes a Death Star on Wheels
By BEN KENIGSBERG

To the extent that "Mortal Engines" resembles anything, it's other movies, which it plunders with a landfill-diving zeal that suits the surviving populace.

Zain al Rafeea in
'Capernaum': A Heartbreaking and Defiant Look at a Boy's Life in Beirut
By A.O. SCOTT

Like a Charles Dickens hero, Zain makes his way through a city where cruelty and injustice threaten to overwhelm kindness and decency.

Matt Dillon in
'The House That Jack Built': Sick, Violent and a Total Bore
By WESLEY MORRIS

Matt Dillon may play a serial killer in Lars von Trier's latest movie, but its real subject seems to be its director.

Hamza Mekdad being carried by Hadi Bou Ayash, left, and Moustafa Fahs in
'Martyr': Tight Bonds and Isolation in Beirut
By WESLEY MORRIS

Set in a poor section of the city, Mazen Khaled's film captures the numbness, grief and rage that come out of strife.

Critic's Pick
Gao Guifang in
'Dead Souls': Forgotten Victims of Mao's Camps Speak
By BILGE EBIRI

More than eight hours long and harrowing to watch, Wang Bing's "Dead Souls" is a necessary look at China's brutal re-education camps for "rightists."

Sandra Bullock, left, and Sarah Paulson in
'Bird Box': The End of the World Is Riveting. Sometimes.
By AISHA HARRIS

Sandra Bullock, Sarah Paulson and a strong cast appear in this sci-fi thriller adapted from a novel by Josh Malerman.

The animator Hayao Miyazaki in
'Never-Ending Man: Hayao Miyazaki': Animation Giant, Retired and Restless
By GLENN KENNY

The director of animated classics like "Spirited Away" reflects on his career in this documentary.

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Anatomy of a Scene
How Shopping for a Crib Turns Violent in Alfonso Cuarón's 'Roma'
By MEKADO MURPHY

The director and writer discusses the work that went into recreating the Corpus Christi massacre of 1971.

News & Features
'Mortal Engines': How the Filmmakers Created a Roaming London
By MEKADO MURPHY

The makers of this science fiction film discuss what was required to turn a sprawling city into a giant R.V.

Nadine Labaki says
'Capernaum' Is Not Just a Film, but a Rallying Cry
By SARA ARIDI

"Capernaum" explores the plight of a child in the Beirut slums. The director Nadine Labaki wants to harness the drama's power to help other such children.

The Carpetbagger
Richard E. Grant backstage at
Who's Better Suited for Award Season Than Richard E. Grant?
By KYLE BUCHANAN

The actor is earning — and savoring — Oscar buzz for the first time in his career, for his work in "Can You Ever Forgive Me?"

Critics' Picks
A scene from
'Ghostbox Cowboy'
By GLENN KENNY

John Maringouin directs a dryly funny dissection of entrepreneurial absurdism bleeding into existential and metaphysical despair.

The Spanish actor Gustavo Salmerón with his mother, Julita Salmerón, the subject of his documentary.
'Lots of Kids, a Monkey and a Castle'
By GLENN KENNY

The Spanish actor Gustavo Salmerón stitches together an affectionate, frank portrait of his indomitable mother in this family documentary.

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