Friday, May 14, 2021

Movies Update: ‘Spiral,’ ‘Those Who Wish Me Dead’ and More

Plus, what our film critic learned about democracy from the movies.
Author Headshot

By Mekado Murphy

Movies Editor

Hey, movie fans!

We're approaching summer movies season and the anticipated release of potential box office giants that have long been delayed because of the pandemic ("A Quiet Place Part II" later this month, "F9" in June). But this week's viewing options are plentiful.

You can decide where you'd like to watch the thriller "Those Who Wish Me Dead," starring Angelina Jolie. It's on HBO Max and the big screen. And it's a Critic's Pick. Ben Kenigsberg says that it's a film that "takes its time but doesn't waste any time."

If you've been missing the torturous comforts of a new "Saw" horror movie, your wait is over. "Spiral: From the Book of Saw," starring Chris Rock, is here. (If you need a "Saw" refresher, here's some background on the many movies that have come before.)

Film nerds who have long obsessed over the German auteur Rainer Werner Fassbinder may enjoy the new biopic on his life, "Enfant Terrible" (though our critic thinks you might be more entertained watching an old Fassbinder movie instead).

And for a period when politics have been more front and center than usual, our critic A.O. Scott examines what he learned about democracy from the movies, focused on seven key films.

Enjoy the movies!

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MOVIE REVIEWS

'The Perfect Candidate' Review: Paving the Way

Haifaa Al-Mansour crafts a story that's part family drama and part parable of female activism, set in Saudi Arabia.

By Glenn Kenny

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'Enfant Terrible' Review: I Can Sleep When I'm Dead

The packed biographical film "Enfant Terrible" races to keep up with the blazing life of the filmmaker Rainer Werner Fassbinder.

By Nicolas Rapold

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'Los Hermanos/The Brothers' Review: A Long-Deferred Duet

In this documentary, two musician siblings — one who lives in Cuba, the other in the United States — get a chance to tour together.

By Ben Kenigsberg

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'Stop Filming Us' Review: Wary of Their Close-Up

The Dutch documentarian Joris Postema's Congo-set film aims to reckon with neocolonialism.

By Devika Girish

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'Riders of Justice' Review: Just Give Me a Reason

Mads Mikkelsen goes berserk in this gleefully violent, yet gold-hearted deconstruction of the revenge thriller.

By Beatrice Loayza

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'Profile' Review: Screen Sharing With Extremists

Interactions between a journalist and a recruiter for the Islamic State play out over screens in this hackneyed thriller.

By Teo Bugbee

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'High Ground' Review: Two Worlds Collide in the Outback

Directed by Stephen Johnson, this western set in Australia doesn't follow the expected narrative.

By Glenn Kenny

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'The Djinn' Review: A Boy Whose Wish Comes True

This film by David Charbonier and Justin Powell has the trappings of a fairy tale. Don't be fooled.

By Kristen Yoonsoo Kim

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NEWS & FEATURES

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NBC Universal, via Agence France-Presse — Getty Images

The Projectionist

Hollywood Might Not Want to Save the Golden Globes

A comeback may prove difficult to mount, and the Critics Choice Awards or the SAGs could take their place.

By Kyle Buchanan

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Tristan Fewings/Getty Images For Jaeger-Lecoultre

Haifaa Al-Mansour Rocks Out to Punk and Cooks With TikTok

With her movie "The Perfect Candidate" arriving in American theaters, Al-Mansour, the first Saudi Arabian woman to become a feature-length filmmaker, discusses her cultural essentials.

By Alexis Soloski

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Kholood Eid for The New York Times

The Composer at the Frontier of Movie Music

Nicholas Britell's scores — for "Succession," "Moonlight" and "The Underground Railroad," among others — suggest whole new ways of writing for film and television.

By Jamie Fisher

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Valerie Macon/Agence France-Presse — Getty Images

How the Golden Globes Went From Laughingstock to Power Player

The group that was once assailed by the F.C.C. steadily gained influence in Hollywood over the years until scrutiny of its practices and lack of diversity led NBC to say it would not air its show in 2022.

By Nicole Sperling and Brooks Barnes

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