Friday, July 23, 2021

Movies Update: ‘Old,’ ‘Snake Eyes’ and More

Plus, the riddle of Riley Keough
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By Mekado Murphy

Movies Editor

Hey, movie fans!

From giant flies to "Snake Eyes," the big-screen choices are eclectic this week.

The "G.I. Joe" movie universe expands a bit with "Snake Eyes," an origin story starring Henry Golding as the sword-wielding title character. While there's plenty of action, the critic Glenn Kenny writes that "the mayhem is frantic yet forgettable."

A French director with absurdist leanings, Quentin Dupieux, has the new movie "Mandibles," about two guys who find an oversize fly in the trunk of a car and get big ideas for it. Beatrice Loayza calls the film "sweet, simple, and oh-so-very stupid."

And M. Night Shyamalan returns with another puzzling thriller, this one called "Old," about a beach that ages people rapidly. "Some vacation," Kenny writes.

Enjoy the movies!

CRITICS' PICKS

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Neon

Critic's Pick

'Ailey' Review: A Poetic Look at the Man Behind the Dances

Jamila Wignot explores the life of Alvin Ailey in a new documentary that brings a choreographer to life through movement and words.

By Gia Kourlas

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HBO

Critic's Pick

'Woodstock 99: Peace, Love and Rage' Review: How a Festival Went Wrong

An HBO documentary examines a music festival that went so far off the rails that it defined an era.

By Elisabeth Vincentelli

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Janus Films

Critic's Pick

'Eyimofe (This Is My Desire)' Review: Always Hustling

The film follows the lives of two individuals in Nigeria who dream of immigrating to Europe to better their prospects.

By Devika Girish

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Film Movement

Critic's Pick

'Holy Beasts' Review: Cinematic Dreams Within Dreams

Geraldine Chaplin offers a commanding performance in this sleek tropical thriller.

By Teo Bugbee

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MOVIE REVIEWS

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A24 and Amazon Studios

'Val' Review: The Iceman Cometh

A documentary about Val Kilmer offers a self-portrait of the artist that's personal but not quite intimate.

By A.O. Scott

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Ron & Valerie Taylor

'Playing With Sharks' Review: Intrepid Journeys Undersea

This documentary plunges into the life of the diver and marine conservationist Valerie Taylor, but her compassion for sharks is muddied by the film's insistence on a tense mood.

By Natalia Winkelman

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Gunars Elmuts/Greenwich Entertainment

'All the Streets Are Silent' Review: Hip-Hop and Skateboarding Collide

This documentary is a portrait of downtown New York in the late 1980s and early '90s that revels in nostalgia.

By Isabelia Herrera

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Magnet

'Mandibles' Review: A Bug-Brained Affair

This breezy bromantic comedy by the French filmmaker Quentin Dupieux follows a pair of lovable idiots and their farcical adventures with an enormous fly.

By Beatrice Loayza

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Strand Releasing

'Charlatan' Review: The Miracle Worker

With this drama, the writer-director Agnieszka Holland tackles another complicated historical figure in the Czech herbal healer, Jan Mikolasek.

By Nicolas Rapold

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Simon Varsano/Amazon

'Jolt' Review: Danger, High Voltage

Kate Beckinsale stars as a turbocharged action heroine in Amazon's limp, derivative revenge picture.

By Calum Marsh

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Colin Bentley/FilmRise

'Broken Diamonds' Review: Illness as a Narrative Convenience

The drama about a brother caring for a sister uses mental illness as an engine for a predictable plot.

By Teo Bugbee

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László Moholy-Nagy/Opendox

'The New Bauhaus' Review: Rethinking an Approach to Art

This documentary on the interdisciplinary artist Laszlo Moholy-Nagy makes the case that he should be a household name.

By Ben Kenigsberg

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