Thursday, December 30, 2021

Movies Update: “Don’t Look Up,” “Spider-Man: No Way Home” and More

Plus, the latest Hollywood trend in casting
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By Stephanie Goodman

Film Editor

Hi, film fans!

In the quiet last days of December, there's not much news coming out of Hollywood beyond the record-breaking box-office performance of "Spider-Man: No Way Home." Perhaps that's why Film Twitter is consumed with arguments over whether the Adam McKay comedy "Don't Look Up," an end-times allegory about climate change, is terrific or terrible. In her review of the Netflix movie, our critic Manohla Dargis landed somewhere in the middle, finding it full of zingers but overseen by a director who's "not always in control of his material."

Surprisingly, Spidey and "Don't Look Up" have something in common: a cast filled with A-listers. My colleague Brooks Barnes writes that packing the star power is the latest trend in Hollywood. "No Way Home" features Tom Holland, Zendaya, Benedict Cumberbatch and more. "Don't Look Up" has, just for starters, Leonardo DiCaprio, Jennifer Lawrence and Meryl Streep. Other recent releases, including "Nightmare Alley" and "House of Gucci," are also following this strategy, as are forthcoming titles like "The 355."

What's going on? "Stars matter — always have, always will — and Hollywood retreats to them, leans harder on them, when it gets nervous about a wandering audience," the film scholar Jeanine Basinger told Barnes.

Speaking of audiences, as I look back on 2021, I'm grateful to have readers like you who care about films and film coverage. Here's to a 2022 filled with more good movies and good stories. Have a happy new year!

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MOVIE REVIEWS

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Niko Tavernise/Netflix

'Don't Look Up' Review: Tick, Tick, Kablooey

Adam McKay wants you to know that it's the end of the world and you should absolutely, unequivocally not feel fine. (But do laugh.)

By Manohla Dargis

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Adolpho Veloso/Sony Pictures Classics

'Jockey' Review: Hit Hard and Still Riding

In this plaintive drama, Clifton Collins Jr. plays a veteran jockey who has had one too many falls and is fast aging out of his profession.

By Manohla Dargis

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David Lee/Sony Pictures

'A Journal for Jordan' Review: Reflections on Love Built and Lost

The actors Michael B. Jordan and Chanté Adams bring a compelling chemistry to the screen as opposites who fall for each other.

By Lisa Kennedy

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Akihiro Nishino/Eleven Arts

'Poupelle of Chimney Town' Review: Seeking Refuse

In this anime feature, a lonely boy strikes up a friendship with a trash creature and searches for stars in a polluted sky.

By Ben Kenigsberg

NEWS & FEATURES

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Mark Abramson for The New York Times

Hollywood Tests the Limit of Marquee Names a Single Film Can Hold

Boldface names have always mattered at the movies, but a number of recent casts have been full of them. That hasn't always helped at the box office.

By Brooks Barnes

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Jordan Strauss/Invision, via Jordan Strauss/Invision/Ap

Jean-Marc Vallée, Director of 'Dallas Buyers Club,' Dies at 58

Known for his naturalistic approach, the Canadian-born filmmaker transformed true stories into acclaimed dramas.

By Livia Albeck-Ripka

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Focus Features

critic's notebook

'Pariah' at 10: When Black Lesbian Characters Had the Spotlight

The Dee Rees drama made waves but studios largely returned to business as usual. A new crop of filmmakers sees signs of hope.

By Beandrea July

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Erik Carter for The New York Times

Mike Faist Tries to Keep His Cool as Riff in 'West Side Story'

The actor, a star of Broadway musicals like "Dear Evan Hansen," talks about playing the leader of the Jets in Steven Spielberg's remake.

By Dave Itzkoff

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Apple TV+, via Associated Press

Critic's Notebook

For Pop Music, 2021 Was the Year of the Deep Dive

Documentaries brought us closer to musicians this year, and it wasn't always pretty.

By Jon Pareles

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Niko Tavernise/20th Century Studios

Critic's Notebook

What Is 'West Side Story' Without Jerome Robbins? Chatty.

Justin Peck takes over choreographic duties in the Steven Spielberg adaptation of the 1957 musical in which words, not bodies, rule the screen.

By Gia Kourlas

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