Friday, March 11, 2022

Movies Update: ‘The Godfather’ at 50

Plus, "My Cousin Vinny" at 30.
Author Headshot

By Mekado Murphy

Movies Editor

Hey, movie fans!

We're gonna make you an offer you can't refuse: a robust collection of "Godfather" stories to celebrate its 50th anniversary.

We have an interview with Al Pacino, with the actor talking about how "The Godfather" single-handedly created his film career. We explain the saga through seven of its great quotes. We discuss how the film imitated Mob life and vice versa. And we test your knowledge of the movie. Take the quiz. And the cannoli.

On Disney+ this week is the latest Pixar movie, "Turning Red," about an adolescent girl who becomes a big red panda when she gets excited. The critic Maya Phillips called it "heartwarming" but wrote that it "fumbles its storytelling." Read an interview with the director Domee Shi, the first woman to get solo directing credit on a Pixar feature.

And over on Netflix is the Ryan Reynolds time-travel adventure "The Adam Project," with Reynolds, as the title character, going back in time and interacting with a younger version of himself, played by Walker Scobell. The critic Natalia Winkelman wrote that "Reynolds imbues Adam with such excitable, exhibitionistic energy he might as well be waving jazz hands."

If you've seen "The Batman" and were wondering about the ending, the director Matt Reeves has thoughts. He also has commentary on a scene in which Batman tries out some flight tech in his Batsuit.

And if you're hungry for some Oscars dish, check out our coverage of the Academy Awards nominees luncheon, then read about the very fierce competition in the best actress race. After that, head on over to our interactive ballot and make your own Oscar picks.

Enjoy the movies!

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MOVIE REVIEWS

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Disney+

'Turning Red' Review: Beware the Red-Furred Monster

A 13-year-old girl becomes a red panda when she loses her cool in Domee Shi's heartwarming but wayward coming-of-age film.

By Maya Phillips

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Doane Gregory/Netflix

'The Adam Project' Review: Back Talk to the Future

Ryan Reynolds plays a time traveling wise cracker in Shawn Levy's science fiction adventure.

By Natalia Winkelman

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Magnet

'Ultrasound' Review: Trapped in a Murky Mystery

This genre hybrid opens on a dark, stormy night, takes a turn into a narrative maze only to dead end despite some promising kinks.

By Manohla Dargis

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Film Movement

'Fear' Review: Stranger in a Strange Land

The arrival of an African refugee upends a Bulgarian town in Ivaylo Hristov's pointed tale of xenophobia.

By A.O. Scott

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HS Productions

'The Cherry Bushido' Review: That Fighting Spirit

Japanese nationalism and religious faith fuel a battle in the spirit realm in this awkward martial-arts fantasy.

By Wesley Morris

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Blue Fox Entertainment

'I Am Here' Review: A Holocaust Survivor Reckons With Her Pain

Decades after experiencing some of the most nightmarish moments of World War II, a woman shares her stories.

By Lisa Kennedy

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Screen Media

'Gold' Review: Dry Heave

Zac Efron stars in an unrelentingly miserable post-apocalyptic movie from the Australian actor and director Anthony Hayes.

By Amy Nicholson

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Jörgen Engdahl/Discovery+

'Last Exit: Space' Review: Not-So-Final Frontiers

The director Rudolph Herzog, with his father, Werner Herzog, narrating, explores the feasibility of off-world colonization.

By Ben Kenigsberg

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NEWS & FEATURES

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Jessica Chou for The New York Times

With 'Turning Red,' a Big Red Panda Helps Break a Glass Ceiling

Domee Shi is the first woman filmmaker with sole directing credit on a Pixar feature.

By Brooks Barnes

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Searchlight/Netflix/Sony Pictures Classics/Amazon/Neon, via Associated Press

The Projectionist

Who Will Win This Year's Wild Best Actress Race?

There are cases to be made for and against every contender, and no one has an obvious advantage in this upended season.

By Kyle Buchanan

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20th Century Fox/Alamy

'My Cousin Vinny' at 30: An Unlikely Oscar Winner

Much like Vinny in the South, the film was a fish out of water at the Academy Awards. But the comedy endures, thanks to a generous Joe Pesci and a fiery Marisa Tomei.

By Jason Bailey

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Krista Schlueter for The New York Times

The Projectionist

At the Oscar Nominees Luncheon: Glamour, Griping and Gluten-Free Meals

At the annual event for nominees and their guests, everyone was happy to be meeting face to face, but the plan to pretape several awards on Oscar night was a sore subject.

By Kyle Buchanan

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Disney

'Encanto' May Be Accurate, but Can It Carry a Whole Country?

The filmmakers behind the Disney hit worked for cultural accuracy. Some Colombians and Colombian Americans are looking for more.

By Laura Zornosa

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Super Ltd

Skewering the Anxious Young Things

The film "All My Friends Hate Me" satirizes anxiety and paranoia among upper-class British millennials. Its writers say they are laughing at themselves most of all.

By Simran Hans

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Bettmann/Getty Images

Oscar Rewind: When Rita Moreno Made History and Thanked No One

The actress explains why she gave one of the shortest Academy speeches ever when she became the first Latina to win an acting Oscar 60 years ago.

By Sarah Bahr

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