Friday, October 26, 2018

Movies Update: 'Suspiria' and More

Plus, Frankenstein at 200, still aliiiive!
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Friday, October 26, 2018

Kyle Buchanan

Kyle Buchanan

Pop Culture Reporter
Hey, movie fans! It's your faithful Carpetbagger.
This weekend's most notable films are opening in limited release with the hope that, if moviegoers in New York and Los Angeles spark to them, they can soon expand to the rest of the country and potentially accrue some award-season heat. Those aspirants include Luca Guadagnino's remake of the horror film "Suspiria," the moody drama "Burning" starring Steven Yeun, and the utterly unpredictable "Border."
Each of these movies is guaranteed to have you debating it afterward with friends, though I wonder if any argument can be as heated as the one that broke out online yesterday once everyone learned that Paramount is pursuing a remake of Amy Heckerling's 1995 comedy "Clueless." The original film is an all-time classic, with a wonderful, lightning-in-a-bottle performance from Alicia Silverstone. What could possibly compare?
The thing that makes me saddest about this, though, is that studios have by and large abandoned the teen movie, and the closest they'll get to making a new one is remaking an old one. For the last few decades, each generation has had an influential, highly quotable high-school comedy to call their own, but the proud tradition that gave us "Heathers," "Clueless" and "Mean Girls" seemed to have sputtered out in the aughts, and that's a shame. If major studios really want to lure teenagers away from Netflix and back to the multiplex, then maybe they should treat them with respect: Instead of giving them the cinematic equivalent of a hand-me-down, start making fresh high-school movies that teens might actually want to see.
Dakota Johnson, front, stars in
Alessio Bolzoni/Amazon Studios
By MANOHLA DARGIS
Luca Guadagnino's remake of the 1970s Dario Argento freakout is a bloated fantasy of consuming power.
Main Street as seen in Frederick Wiseman's new documentary,
Zipporah Films
By A.O. SCOTT
Frederick Wiseman's visit to Trump country finds that there is more to life than politics, and more to democracy than ideology.
Movie Reviews
From left, Ah-in Yoo, Jong-seo Jun and Steven Yeun in
In 'Burning,' Love Ignites a Divided World
By MANOHLA DARGIS

The great South Korean director Lee Chang-dong's latest involves three characters subsumed by desire and rage.

Eero Milonoff and Eva Melander in
Sniffing Out Guilt in a Strangely Engaging 'Border'
By GLENN KENNY

The film, adapted from a short story by the writer of "Let the Right One In," follows a security guard with an unusual gift.

Sandi Tan in the documentary
In 'Shirkers,' Stolen Footage and Dashed Dreams
By JEANNETTE CATSOULIS

Sandi Tan's captivating documentary about the theft of her first movie by a charismatic con man is both mystery and manhunt.

Cory Michael Smith in
In '1985,' a Young Man Hides a Plague From His Family
By GLENN KENNY

The film is a moving cinematic sketch of a HIV-infected, closeted gay man living through the height of the AIDS crisis.

Tyne Daly, left, and Elisabeth Henry in
In 'A Bread Factory,' Local Artists Face Off Against the World
By BILGE EBIRI

An ambitious, sprawling film about the efforts of a community arts center to survive, "A Bread Factory" is a major new work by a singular American artist.

ADVERTISEMENT
Anatomy of a Scene
Watch Timothée Chalamet Play an Addict in 'Beautiful Boy'
By MEKADO MURPHY

The director Felix Van Groeningen narrates a difficult talk between father (Steve Carell) and son (Chalamet) in this drama.

News & Features
From left, Daveed Diggs in
The Unreality of Racial Justice Cinema
By REGGIE UGWU

From "Black Panther" to "The Hate U Give," new movies about the fight for black lives deliver powerful fantasies. But can they be truthful?

A Word With
Hugh Jackman Breaks the Movie Star Rules and Doesn't Care
By KATHRYN SHATTUCK

Jackman talks about portraying Gary Hart in "The Front Runner," the next incarnation of "The Greatest Showman," and why life is better than ever at 50.

The Nuts and Bolts of Frankenstein's Movie Monsters
By MEKADO MURPHY

A look back at the many ways the creature, originated by Mary Shelley, has graced the screen.

Dakota Johnson as an American dancer in Berlin in Luca Guadagnino's remake of
'Suspiria' Then and Now: Finding Darkness in an All-Female World
By JULIE BLOOM

Tilda Swinton and Dakota Johnson were drawn to the complex depiction of feminism and violence in Luca Guadagnino's remake of the Dario Argento original.

Critic's Notebook
Bradley Cooper and Lady Gaga in
In 'A Star Is Born,' Equality Is Deadly
By MANOHLA DARGIS

Bradley Cooper, in the third remake of the movie, tells a story of men, women and male sacrifice that has been portrayed over and over.

Rosamund Pike as Marie Colvin and Jamie Dornan as the photographer Paul Conroy in
Hollywood's Forgotten Heroes: Female War Correspondents
By MELENA RYZIK

The brave journalist in the field is a big-screen staple, but "A Private War," about Marie Colvin, is one of the few to focus on women doing the job.

Detail of the ad for
Horror, Horror, Read All About It
By MEKADO MURPHY

The newspaper ads for 1980s horror movies could be as fun to scrutinize as the films themselves. A fan who collected the ads shares highlights.

Streaming
From the left, Bela Lugosi, Lucille Lund and Boris Karloff in the 1934 horror film
In 'The Black Cat,' the Titans of Terror, Karloff and Lugosi, Face Off
By J. HOBERMAN

Classic Hollywood's star monsters appeared together in half a dozen films — some, like "The Black Cat" and "The Body Snatcher" are surprisingly good.

Critics' Picks
Melissa McCarthy and Richard E. Grant in
'Can You Ever Forgive Me?'
By A.O. SCOTT

Marielle Heller directs a true story of literary fraud, set amid the bookstores and gay bars of early '90s Manhattan.

Carey Mulligan and Jake Gyllenhaal in
'Wildlife'
By GLENN KENNY

The film, directed by Paul Dano and starring Carey Mulligan and Jake Gyllenhaal, is a domestic drama both sad and terrifying.

Zimkhitha Nyoka in
'Vaya'
By JEANNETTE CATSOULIS

The fate of strangers are darkly intertwined in Akin Omotoso's electric and empathetic film.

Andrew Bleechington in
'Life and Nothing More'
By BEN KENIGSBERG

Antonio Méndez Esparza's keenly observed indie alludes to many hot-button issues.

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