Friday, February 1, 2019

Movies Update: 'Miss Bala' 'Velvet Buzzsaw' and More

Plus, when American filmmakers try to cross the border.
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Friday, February 1, 2019

Kyle Buchanan

Kyle Buchanan

Pop Culture Reporter
Hey, movie fans! It's your faithful Carpetbagger.
We've got an eclectic bunch of movies out this week, including the action remake "Miss Bala" with Gina Rodriguez, the Netflix art-world satire "Velvet Buzzsaw," which reunites Jake Gyllenhaal with his "Nightcrawler" director Dan Gilroy, and Peter Jackson's World War I documentary "They Shall Not Grow Old," getting a theatrical run after playing as a special engagement. Those are the biggies, but don't sleep on the specialty releases like Nuri Bilge Ceylan's "The Wild Pear Tree," the horror movie "Piercing," our critic's pick "Daughter of Mine," and a pair of chilly Mads Mikkelsen movies, "Arctic" (in theaters) and "Polar" (streaming only).
Meanwhile, I'm just back from the Sundance Film Festival and getting ready for the final few weeks of awards season. Saturday brings the Directors Guild Awards, and if the top prize goes to anybody besides Alfonso CuarĂ³n for "Roma," I'll be very surprised. Two days after that, the Academy throws a luncheon to celebrate this year's Oscar nominees, and then, a week from Tuesday, Oscar voting finally begins.
My dance card is pretty full this month, but I find I'm mostly bracing for what I can't predict. This has been one rambunctious season, and I suspect the last few weeks will deliver even more controversies and left-field surprises.
'Miss Bala' Review: Gina Rodriguez Finds the Wrong Place at the Wrong Time
By A.O. SCOTT
A Hollywood remake turns a grim tale of violence into a fable of empowerment.
Movie Reviews
Critic's Pick
Rene Russo and Jake Gyllenhaal in Dan Gilroy's
'Velvet Buzzsaw' Review: Art Snobs Get a Gory Comeuppance
By GLENN KENNY

In this bilious satire, Jake Gyllenhaal plays an art critic on the edge of sanity as the paintings he covets turn murderous.

Aydin Dogu Demirkol in
'The Wild Pear Tree' Review: A Gambler and a Writer at Odds
By A.O. SCOTT

Modern Turkey is the backdrop for a father-son story rich with literary overtones and philosophical implications.

A restored and colorized moment from
'They Shall Not Grow Old' Review: World War I, in Living Color
By BEN KENIGSBERG

Peter Jackson's film is brisk, moving and destined to earn the ire of purists.

Critic's Pick
From left, Sara Casu, Alba Rohrwacher and Valeria Golino in
'Daughter of Mine' Review: Lessons in Imperfect Parenting
By JEANNETTE CATSOULIS

Ardent and primal, Laura Bispuri's drama addresses complicated ideas with head-clearing simplicity.

Mads Mikkelsen, in rugged survival mode, stars in
'Arctic' Review: Madness in a Frozen Wasteland
By BEN KENIGSBERG

Mads Mikkelsen, doing his rugged best, stars in this survival tale.

Streaming Movie Review
Mads Mikkelsen and Vanessa Hudgens in the Netflix film
'Polar' Review: A Hit Man's Redemption Gets Mired in Toxic, Wintry Sludge
By CHRIS VOGNAR

Starring the usually reliable Mads Mikkelsen, "Polar" pales in comparison to other assassin-in-midlife-crisis movies like "Grosse Pointe Blank."

Streaming Movie Review
Saloni Batra, left, and Geetika Vidya Ohlyan in
'Soni' Review: Two Delhi Policewomen Struggle Against Misogyny
By ELISABETH VINCENTELLI

In the world described in Ivan Ayr's debut feature, men casually assume they are entitled to say or do whatever they want to women.

Christopher Abbott in
'Piercing' Review: A Killer Romance
By GLENN KENNY

Christopher Abbott plays a character who thinks his baby is telling him to commit murder and dismemberment.

ADVERTISEMENT
Anatomy of a Scene
Watch Gina Rodriguez Outsmart a Drug Cartel in 'Miss Bala'
By MEKADO MURPHY

The director Catherine Hardwicke narrates a tense sequence from the film.

News & Features
Ismael Cruz CĂ³rdova and Gina Rodriguez in
When American Filmmakers Try to Cross the Border
By CHRIS VOGNAR

As in "Miss Bala," Hollywood envisions the Mexican-American divide filled with violence, but you can find big-screen visions of the territory's vitality.

Feature
Farhadi in Tehran, near the mountains north of the city.
How Iran's Greatest Director Makes Art of Moral Ambiguity
By GILES HARVEY

Asghar Farhadi's films fill theaters in a country where taking sides can be dangerous. They've also captivated Hollywood.

Reporter's Notebook
'DAU' Has Finally Opened in Paris. Does It Live Up to the Hype?
By JOSHUA BARONE

The immersive experience, with its frequent problems yet mounting mystique, is beginning to court comparisons with the Fyre Festival.

Julie Andrews's soot-covered face in the 1964 film
'Mary Poppins,' and a Nanny's Shameful Flirting With Blackface
By DANIEL POLLACK-PELZNER

The racial caricatures of the original P.L. Travers novels find disturbing echoes in the new movie and its beloved 1964 forerunner.

An Appraisal
Jonas Mekas himself in his 180-minute
Jonas Mekas: A Poet With a Movie Camera
By MANOHLA DARGIS

A filmmaker, cine-evangelist and one of life's tireless adventurers, the New York auteur sought to free cinema.

Critics' Picks
Zain al Rafeea in
'Capernaum'
By A.O. SCOTT

Like a Charles Dickens hero, Zain makes his way through a city where cruelty and injustice threaten to overwhelm kindness and decency.

A scene from
'The Image Book'
By A.O. SCOTT

Jean-Luc Godard's latest film is a gloomy, lively essay on some disturbing history, cinema and himself.

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