Friday, January 21, 2022

Movies Update: Sundance and More

And the Oscar nominees should be ...
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By Mekado Murphy

Movies Editor

Hey, movie fans!

The Sundance Film Festival has begun, and like last year, it's an all-virtual affair. Audiences can catch a number of premieres at home that would usually only screen in Park City, Utah.

This year, the festival includes two movies that look at abortion rights and the Jane Collective, a Chicago group that helped thousands of women safely obtain the procedure in the years before Roe v. Wade. Nicole Sperling spoke with the filmmakers to find out more.

Speaking of the festival, it's the 30-year anniversary of a panel held there that came to shape the New Queer Cinema movement. Erik Piepenburg has a look back, interviewing many of the filmmakers and journalists who took part.

Sometimes the heart of a movie can be defined in one scene. Our critics wrote about a couple of their favorite sequences from the films of 2021. A.O. Scott chose a moment from "Drive My Car" and Manohla Dargis picked one from "Licorice Pizza." Additionally, the director Jane Campion discussed the intricacies of one of her favorite scenes from her own film, "The Power of the Dog."

Enjoy the movies!

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And the 2022 Oscar Nominees Should Be …

The nominations will be announced Feb. 8. Here's what our critics wish academy voters would put on their ballots.

By Manohla Dargis and A.O. Scott

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Sideshow and Janus Films

One Indelible Scene: When the Show Must Go on in 'Drive My Car'

Through a staging of "Uncle Vanya," the director Ryusuke Hamaguchi creates an intimacy for his characters that lets the artifice of cinema fall away.

By A.O. Scott

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MGM

One Indelible Scene: When a Woman Takes the Wheel in 'Licorice Pizza'

After letting Alana Haim and her character drift and idle, Paul Thomas Anderson gives you a reason to cheer: "Hardcore, hardcore Alana!"

By Manohla Dargis

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Sandria Miller for Sundance Institute

The Day New Queer Cinema Said: Let's Do This

Thirty years after a panel at Sundance, some of the artists and journalists who helped ignite an L.G.B.T.Q. film movement take stock.

By Erik Piepenburg

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MOVIE REVIEWS

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Cinema Guild

'Introduction' Review: All Mixed Up

In his new film, the prolific South Korean director Hong Sangsoo tells a fractured coming-of-age story in three vignettes.

By A.O. Scott

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Frederic Batier/Netflix

'Munich: The Edge of War' Review: 'Well Navigated, Sir' (Not!)

With clenched jaws and furrowed brows, this plodding procedural attempts to glorify Neville Chamberlain, played here by Jeremy Irons.

By Manohla Dargis

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Gravitas Ventures

'The King's Daughter' Review: Sinking or Swimming at Versailles

Pierce Brosnan stars as a version of King Louis XIV who seeks to sacrifice a mermaid for immortality in this puerile storybook fantasy that was shot nearly eight years ago.

By Natalia Winkelman

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Cara Howe/Vertical Entertainment

'A Shot Through the Wall' Review: Tipping Justice's Scales

In this drama about the killing of a Black man, the intersection of race and policing is considered from the perspective of a Chinese American police officer.

By Beatrice Loayza

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Array

'Donkeyhead' Review: You Really Can't Go Home Anymore

A writer living in Canada finds herself back home with her Punjabi immigrant parents.

By Beatrice Loayza

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Kirsty Griffin/Netflix

'The Royal Treatment' Review: Heavy is the Head (and Shoulders)

Laura Marano and Mena Massoud star in a romantic comedy that tweaks a familiar formula but still feels inane.

By Amy Nicholson

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Array

'Definition Please' Review: What Does It All Mean?

A grown-up spelling bee star who never left her hometown tries to make sense of the conflicts and challenges in her family.

By Lisa Kennedy

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Magali Bragard/Strand Releasing

'Simple Passion' Review: An Ordinary Erotic Tale

Adapted from a book by Annie Ernaux, the movie puts a female gaze on sexual obsession.

By Glenn Kenny

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