Friday, August 2, 2019

Movies Update: 'Hobbs & Shaw' and More

Plus, "The Blair Witch Project" at 20: still scary.
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The New York Times
Friday, August 2, 2019

Hey, movie fans! It's your faithful Carpetbagger.

There are still new summer movies coming out, but doesn't it feel like Topic A is still Quentin Tarantino's "Once Upon a Time … in Hollywood?" I'm starting to wonder, in what has so far been a muted first half of the year for award contenders, whether "Once Upon a Time" may be amassing enough heft to go all the way this Oscar season. It's something I initially wrote about when I caught the film at Cannes, but the film's stateside launch has gone awfully well, considering all the controversial takes it's capable of sparking. Will the fall film festivals offer any contenders that are noisy enough to compete?

The major release in theaters this week is "Fast & Furious Presents: Hobbs & Shaw," a spinoff generated mainly so Dwayne Johnson wouldn't have to share a call sheet with Vin Diesel anymore. No other big-studio movie wanted to challenge "Hobbs & Shaw" for dominance, but the specialty-film market is crowded this week with Octavia Spencer in "Luce," a harrowing new film from "The Babadook" director Jennifer Kent called "The Nightingale," the snakes-and-religion indie "Them That Follow," as well as the 13-hour (!) "La Flor," the Mideast conflict film "Tel Aviv on Fire" and the teen Mafia drama "Piranhas." Plus, now streaming on Netflix is the Argentine thriller "The Son."

'Hobbs & Shaw' Review: Rock-em-Sock-em Bromance
Dwayne Johnson, left, and Jason Statham as teamed-up rivals — or are they?Frank Masi/Universal Pictures
This "Fast & Furious" spinoff featuring Dwayne Johnson and Jason Statham veers awfully close to rom-com territory.
Movie Reviews
Aisling Franciosi as an Irish convict seeking revenge in “The Nightingale.”Matt Nettheim/IFC Films
critic's pick
By A.O. Scott
Jennifer Kent follows "The Babadook" with a harrowing, politically charged tale of sexual and racial brutality in 19th-century Tasmania.
From left, Octavia Spencer, Kelvin Harrison Jr. and Naomi Watts in "Luce."Jon Pack/NEON + topic
Critic's Pick
By Ben Kenigsberg
To say that this feature unfolds like a play is both accurate and undersells just how gorgeously it has been rendered for the screen.

From left, Santiago Gobernori, Laura Paredes and Elisa Carricajo in “La Flor.”Grasshopper Film
By A.O. Scott
Mariano Llinás's 13-hour cinematic puzzle is a labor of love and obsession.
Kais Nashif as Salam, a Palestinian man who works for the show within the show in "Tel Aviv on Fire."Patricia Peribáñez/Cohen Media Group
By A.O. Scott
Sameh Zoabi's new film is less incendiary, and quite a bit funnier, than its title might suggest.

Nicolas Cage has, and stars in, "A Score to Settle."

RLJE Films
By Jeannette Catsoulis
As a dying mobster of dubious mental clarity, Nicolas Cage could not be more perfect for Shawn Ku's loopy revenge thriller.
Alice Englert in “Them That Follow.”1091 Media
By Jeannette Catsoulis
A snake-handling Pentecostal pastor's daughter faces a familiar romantic predicament in this dreary Appalachian tragedy.

Diane Kruger in "The Operative."Kolja Brandt/Vertical Entertainment
By Ben Kenigsberg
A bit of suspense and a good Diane Kruger performance notwithstanding, this thriller doesn't have much new to offer.
Luca Nacarlo, left, and Francesco Di Napoli in "Piranhas."Music Box Films
By Glenn Kenny
It's tough turf in the towns around Naples, Italy, and one teen aspires to take them over and become a crime kingpin in this drama.
Anatomy of a Scene
Exactly How 'Fast & Furious' Presents Hobbs & ShawThe director David Leitch discusses his split-screen introduction of the film's title characters, played by Dwayne Johnson and Jason Statham.
News & Features
Is Reese Witherspoon’s character an obnoxious know-it-all or a young woman facing misogyny?
What America Gets Wrong About Tracy FlickIn "Election," she's preyed upon by a teacher and almost cheated out of her rightful victory. But somehow she's the villain.
Aisling Franciosi in Jennifer Kent’s “The Nightingale.”
When Rape Onscreen Is Directed by a Woman"The Nightingale," from Jennifer Kent, looks at the effects of sexual assault in 1820s Tasmania. Critics say it is too graphic; defenders say it reflects historical truths.
From left, Brad Pitt, Leonardo DiCaprio and Al Pacino meet at Musso & Frank Grill in the movie.
A Glossary for 'Once Upon a Time … in Hollywood'Quentin Tarantino's film is filled with references to TV shows, movies and other totems of midcentury Los Angeles. We explain who's who and what's what.
The makers of
'The Blair Witch Project' at 20When it came out, the documentary-style horror movie terrified some audiences who weren't so sure it was fiction. Here's a look at its special alchemy and legacy.
Streaming
Joaquín Furriel in the Argentine film
'The Son' Review: She's Having a Baby (Without You)Where "Rosemary's Baby" preyed on a mother's loss of agency over her child, this Argentine thriller toys with a father's utter superfluousness.
Critics' Picks
Leonardo DiCaprio, left, and Brad Pitt in a scene from the film.
'Once Upon a Time … in Hollywood' Review: We Lost It at the MoviesLeonardo DiCaprio and Brad Pitt star as midlevel entertainment industry workers whose relationship forms the core of Quentin Tarantino's look at the movie past.
Hatidze Muratova, tending to her bees, in
'Honeyland' Review: The Sting and the SweetnessA documentary about a Macedonian beekeeper's conflict with her neighbors becomes a lyrical environmental fable.

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